Mahesh Dattani, the script-writer of Final solutions aptly
said: ‘This is something I wrote a decade ago. Sadly, it is relevant even today’.
Dattani refers to the communal tension between the two religious sects. With
such a theme, you do expect a certain degree of emotions and the characters
ought to have depth. Surprisingly, the actors surpassed all our expectations.
To
give a background, final solutions elaborates a night where two muslim boys
seek shelter in a Hindu family in midst of a communal tension. Since I am no
critique, the best I can do is summarise the performance of the characters.

The
mother (Aruna) started as a run of the mill traditional housewife, with her beliefs at
times skirting fanaticism. As the story progressed, she embarrasses many with
her extremism. Such feelings were reinstated with her efforts to distance every
pure object of the house from the muslim boys. It is only when she takes a
stand to justify her beliefs, walk us through her upbringing to show us how
faith helped her find happiness; that you can connect with her. The way her
belief eradicate our perception of religious fanaticism truly proves her
performance.
The
grandmother is a tough one to understand. It takes a while to come to terms
with the two era she portrays: for she morphs from a sulking, stooping relic to
a chirpy teenager recently wedded to a aristocratic family. The stark
differences of the two eras seem comical for a while. But it is in the final
act that the chirpy grandma faces that event which changes her life.
Babban
says he's changed to Bobby just for the heck of it. An educated youth looking
to march ahead in life, it seems the chains of religion and tradition mean
little to him. For rationality and realism is what Bobby stands for. Or so it
seems. You can so imagine that he would have given up that beacon highlighting
his religion (his name) with a 'whatever' attitude. He often takes a step back,
to be reasonable, to compromise. A slap from the radicals, the taunts by the
fanatic housewife and grandmother left unheard, protecting his brother-in-law
to be for all his misgivings: all this makes you wonder if Bobby is weak. Maybe
because the absence of his pillar of faith, maybe for his conviction to stay
away from trouble or perhaps of his forever ready to compromise attitude.
All the while Bobby does turn out to be weak, submitting himself to rationality
without a word. But only until the final act. When all is said, Bobby does
blurt it out. He is Bobby not because he doesn't care about Babban, but because
it is not possible for Babban to survive in this callous environment. He has
seen a lot more of this world than it seems and has learned to survive with the
everyday barbs. Finally, he has to prove it. He does the unimaginable-
embracing the God of the hosting family, talking to him and elaborating to his
hosts what his act is about. Babban, in my opinion is the most powerful
character of the play. Possibly because of the way he is underplayed for most
of the time and his true strength is not revealed until the end.
Smita-
the teenage daughter of the house comes out as the girl next door caught
between the traditional upbringing of her mother and the open views of her
father. The true vigour of her character, like Bobby, is not revealed until the
end. For it turns out that she is siding neither of her parents' views; she is
driven by her own righteousness. Her righteousness comes from her own views of
whatever she's seen of the world.
The
role of Javed was perhaps the most vital piece in Final Solutions. The fact
that he's a dangai-a hired goon is revealed a lot later. Portraying this
character is perhaps the toughest (with due respect to granny). In accordance
with human nature, every viewer hates him at the first instant. He's blunt,
devilish, full of himself and seems to be devoid of any feelings whatsoever. He
is consumed by his own beliefs and refuses to lend an ear to any ideology but
his. However, Babban wonderfully describes his circumstances, justifies his
actions and one wonders why he ought to waste his energy on someone who is so
obviously lost. It is this description by Babban along with Javed's evolution
of emotions is what steals the show. Why we understand his sins, how that
hatred makes way for pity- you have to witness Zaahir's final solutions to
understand.
Ramnik,
the trader, husband, father, son and breadwinner of the family strikes as an
idealist that this world needs. He is ready to take a tough stand against his
wife and mother provide shelter to the two muslin boys being chased to death by
the mob. His arguments with Javed are deep. Like Bobby, you wonder why he’s
wasting time trying to reason with the lost soul.
One
would assume the crowd ought to comprise of fillers. However in Zaahir's Final
Solutions, it played the most vital role in expressing human emotions,
outbursts, vehemence and fanaticism.